{"id":294,"date":"2018-10-29T00:09:07","date_gmt":"2018-10-29T04:09:07","guid":{"rendered":"http:\/\/www.evillair.net\/v4\/?page_id=294"},"modified":"2026-10-25T13:30:33","modified_gmt":"2026-10-25T17:30:33","slug":"resume","status":"publish","type":"page","link":"https:\/\/www.evillair.net\/v4\/resume\/","title":{"rendered":"Resume"},"content":{"rendered":"

\"yvesallaireimage\"<\/p>\n


\nYves Allaire<\/strong><\/span>
\nTexture Artist<\/strong><\/p>\n

Summary:
\n<\/strong><\/span>
\nI am a texture artist that has been working on AAA titles for over 20 years, highly passionate about art, technology and the creative processes involved in video game creation. I am also one who consistently develops artistic techniques to encourage innovation and visual product improvement.
\nYou can also check out my MobyGames<\/a> profile.<\/p>\n

Core Skills:<\/strong><\/span><\/p>\n

\u25ca Focus on Texture Art
\n\u25ca High poly modelling for use in Zbrush\/Photoshop texturing workflow
\n\u25ca PBR workflow knowledge
\n\u25ca Material creation
\n\u25ca Can work independently without much need for guidance and still follow art guidelines.
\n\u25ca Able to learn new tools and processes quickly
\n\u25ca Excellent understanding of the AAA game creation pipeline
\n\u25ca Conducting team member reviews
\n\u25ca Managed small to large teams of Artists: numbering 2 to 10<\/p>\n

Technical Skills:<\/strong><\/span><\/p>\n

Software<\/strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Experience Level\u00a0<\/strong>
\n\u25ca Photoshop\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a020+ years
\n\u25ca Dunia Engine\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 10+ years
\n\u25ca Unreal Engine\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 5+ year
\n\u25ca xNormal\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 10+ years
\n\u25ca Zbrush\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 10+ years
\n\u25ca Substance Designer\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a02+ year
\n\u25ca Substance Painter\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a04+ year
\n\u25ca 3ds Max\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a08+ years
\n\u25ca Ddo\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 1+ year
\n\u25ca Maya\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a03+ years
\n\u25ca Unity\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 3+ years
\n\u25ca Source Engine\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 10+ years<\/p>\n

Employment<\/span><\/strong>\u00a0History:<\/strong><\/span><\/p>\n

iRacing<\/strong> <\/span>| Bedford, Massachusetts, USA<\/i>
\nFEB 2018 \u2013\u00a0present<\/em>
\nLead Material Artist <\/strong><\/em>(iRacing PC)<\/p>\n

\u25ca Texture creation
\n\u25ca Material creation
\n\u25ca Texturing track geometry
\n\u25ca Modifying track geometry<\/p>\n

Ubisoft<\/strong> <\/span>| Montreal, Quebec, Canada
\nAUG 2001 \u2013 OCT 2017<\/em>
\nLead Texture Artist\/Technical Artist<\/strong><\/em>
\nFar Cry: Primal <\/span>(Xbox One\/PS4\/PC)<\/p>\n

\u25ca Texture creation
\n\u25ca Material creation
\n\u25ca Texture artist reviews
\n\u25ca Technical guideline documentation for artists.
\n\u25ca Improvement of tools and features for artists.
\n\u25ca Mentoring new artists.<\/p>\n

Texture Artist<\/strong><\/em>
\nFar Cry: 4 <\/span>(Xbox 360\/PS3\/PC)<\/p>\n

\u25ca Texture creation
\n\u25ca Material creation<\/p>\n

Lead Texture Artist<\/strong><\/em>
\nFar Cry: Blood Dragon <\/span>(Xbox 360\/PS3\/PC)<\/p>\n

\u25ca Texture creation
\n\u25ca Material creation
\n\u25ca Texture artist reviews.<\/p>\n

Texture Artist<\/strong><\/em>
\nFar Cry: 3 <\/span>(Xbox 360\/PS3\/PC)<\/p>\n

\u25ca Texture creation
\n\u25ca Material creation<\/p>\n

Art Director<\/strong><\/em>
\nRainbow Six: Vegas <\/span>(Xbo360\/PS3\/PC)<\/p>\n

\u25ca Establishing an artistic vision, style and quality standards
\n\u25ca Providing visual direction, guidance and feedback across all aspects of art development
\n\u25ca Developing style guides and reference materials to provide the art team
\n\u25ca Collaborating with artists, designers and engineers to create amazing gameplay experiences<\/p>\n

Art Director<\/strong><\/em>
\nRainbow Six:3<\/span> (Xbox\/PS2)<\/p>\n

\u25ca Establishing an artistic vision, style and quality standards
\n\u25ca Providing visual direction, guidance and feedback across all aspects of art development
\n\u25ca Developing style guides and reference materials to provide the art team
\n\u25ca Collaborating with artists, designers and engineers to create amazing gameplay experiences<\/p>\n

Texture Artist<\/strong><\/em>
\nSplinter Cell <\/span>(Xbox\/PS2)<\/p>\n

\u25ca Texture creation
\n\u25ca Material creation
\n\u25ca Weapon Texturing<\/p>\n

Crytek<\/strong> <\/span>| Coburg, Germany
\nJAN 2000 \u2013 JUN 2000<\/em>
\nTexture Artist<\/strong><\/em>
\nUnreleased Game<\/span> (Xbox\/PS2\/PC)<\/p>\n

\u25ca Texture creation<\/p>\n

Languages:
\n<\/strong><\/span>
\nEnglish \u2013 Fluent
\nFrench \u2013 Fluent \/ Native<\/p>\n

Interests & Hobbies:
\n<\/strong><\/span>
\nIn my spare time I work on small 2d platformer games with the Construct 2 Engine.
\nI also write and record music, I have released several music CD\u2019s with small indie labels.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Yves Allaire Texture Artist Summary: I am a texture artist that has been working on AAA titles for over 20 years, highly passionate about art, technology and the creative processes involved in video game creation. I am also one who consistently develops artistic techniques to encourage innovation and visual product improvement. You can also check […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-294","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.evillair.net\/v4\/wp-json\/wp\/v2\/pages\/294","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.evillair.net\/v4\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.evillair.net\/v4\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.evillair.net\/v4\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.evillair.net\/v4\/wp-json\/wp\/v2\/comments?post=294"}],"version-history":[{"count":10,"href":"https:\/\/www.evillair.net\/v4\/wp-json\/wp\/v2\/pages\/294\/revisions"}],"predecessor-version":[{"id":965,"href":"https:\/\/www.evillair.net\/v4\/wp-json\/wp\/v2\/pages\/294\/revisions\/965"}],"wp:attachment":[{"href":"https:\/\/www.evillair.net\/v4\/wp-json\/wp\/v2\/media?parent=294"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}